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Provincial Architecture and Painting

2020-04-27 12:37 :44


Sikh Style of Architecture during Mughal Period :

Section titled “Sikh Style of Architecture during Mughal Period :”
  • use of multiple Chhatris or kiosks on top buildings etc
  • Use of shallow cornices
  • buildings had fluted domes, which were generally covered by brass and copper guilds for decoration
    • arches had of numerous foliations.
  • Ex Shir Harmandir Sahib/ Golden temple.
  • introduced the concept of hanging balcony of varying shapes and sizes
  • cornices were built in the shape of an arch
  • Sahibdin was the most famous painter of this school.
  • depiction of Rasikapriya, Ramayana and Bhagavata Purana.
  • ‘Tamasha’ paintings that show court ceremonies were unique of this period.

![[Provincial-Architecture-and-Pa-image1-23533628.jpg]]

  • Under the Patronage of Samant Singh in the mid 18th century. He also wrote poems under the name Nagari Das.
  • Bani Thani painting style is from this school. Nihal Chand was its painter.

![[Provincial-Architecture-and-Pa-image2-23533628.jpeg|300x400]]

  • It shows local vegetation in details.
  • Sky is painted in different colours.
  • Faces were round with pointed nose
  • Its peculiar characterstics are rich and glowing colours, rising sun in golden colour, crimson red horizon, overlapping and semi naturalistic trees.
  • Mughal influence in visible in refined drawing of faces and element of naturalism in treatment of trees.
  • Text is written in block against yellow background on the top.
  • Ex is Rasikapriya of 17th cent that represents Kishna trying to collect butter from a Gopi.

![[Provincial-Architecture-and-Pa-image3-23533628.jpg|300x400]]

  • aka Dhundar school orignated from Bairat.
  • The Amber palace walls and mausoleum has these paintings.
  • Sawai Pratap Singh was its greatest patron 18th century.
  • Showed Ramayana, Rangmala and Bhagwata purana scenes.

![[Provincial-Architecture-and-Pa-image4-23533628.jpg]]

  • Developed around the areas of Jodhpur, Bikaner and Jaisalmer.
  • The 15th and 16th century paintings were depicted wth colourful clothing.
  • Man Singh in early 19th century later commissioned many paintings depicting Shiv purana, Durgacharita and Natacharita.

![[Provincial-Architecture-and-Pa-image5-23533628.jpg|400x300]]

It is grouped into 2 the Jammu/Dogra School and the Basholi and Kangra school. Paintings focused more on Mythology and Literature. Its famouse painters were Nainsukh and Manaku.

  • expressive faces with a receding hairline and big eyes that are shaped like lotus petals, use of primary colours.
  • Raja Kripal singh comissioned various paintings on Gita Govinda, Ramayana and Rasamajari.
  • patronage by Raja Govardhan Singh reached its zenith under Raja Sansar Chand.
  • paintings were marked with a sensuality and intelligence.
  • Popular subjects were gita govinda, bhagwata purana etc.
  • In the areas of Kullu, chamba and Mandi.
  • shows various musical Ragas.
  • amalgamation of art, poetry and classical music.
  • Ragas personified as colour describing story of a hero/heroine.
  • elucidates the season and the time of day and night in which raga is to be sung.
  • demarcates the specific Hindu deities attached to a raga.
  • six principal ragas present in the Ragamala are Bhairava, Deepak, Sri, Malkaush, Megha and Hindola

![[Provincial-Architecture-and-Pa-image6-23533628.jpg|300x400]]

  • famous for its decorative paintings.
  • created on glass and board
  • liberal use of gold leaf and brilliant colour.
  • Paintings depict Krishna and main patron was Sarfoji Maharaj (Marathas).

![[Provincial-Architecture-and-Pa-image7-23533628.jpg|300x400]]

  • Themes depict Hindu gods and goddesses.
  • Had many figures in a paintings but 1 figure predominated others. ![[Provincial-Architecture-and-Pa-image8-23533628.jpg|300x400]]